Tanggal Rilis :13 January 2011
Jenis Film :Drama | Thriller
Diperankan Oleh :Natalie Portman, Mila Kunis, Vincent Cassel, Barbara Hershey
Quality : DVDScr
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SYNOPSIS
Nina Sayers telah mengabdikan hidupnya yang masih muda dalam dunia balet. Sebagai seorang pemain solo dalam sebuah perusahaan pertunjukkan balet bergengsi di kota New York, ia bertekad untuk mendapatkan peran utama dalam produksi baru berjudul “Swan Lake” karya Tchaikovsky. Namun sutradara pertunjukan tersebut menantangnya untuk berperan ganda sebagai White Swan yang baik dan Black Swan yang menggoda.
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RESENSI
Black Swan is a 2010 American
psychological thriller film directed by
Darren Aronofsky, starring
Natalie Portman and
Mila Kunis. The production requires a ballerina to play both the innocent White Swan and the sensual Black Swan. Nina (Portman) fits for the White Swan and Lily (Kunis) fits for the Black Swan. When the two compete for the parts, Nina finds a dark side of herself.
Aronofsky conceived the premise by connecting his viewings of an actual production of
Swan Lake with an unrealized screenplay about
understudies and the notion of being haunted by a double, similar to the folklore surrounding
doppelgängers. The director also considered
Black Swan a companion piece to his 2008 film
The Wrestler, with both films involving demanding performances for different kinds of art. He and Portman first discussed the project in 2000, and after a brief attachment to Universal Pictures,
Black Swan was produced in New York City in 2009 by
Fox Searchlight Pictures. Portman and Kunis trained in ballet for several months prior to filming and notable figures from the ballet world helped with film production to shape the ballet presentation. The film premiered as the opening film for the
67th Venice International Film Festival on September 1, 2010. It had a
limited release starting December 3, 2010 and a nationwide release on December 17.
[2]
Plot
Swan Lake requires a ballerina who can play the innocent White Swan, which fits Nina, and the sensual Black Swan, which fits Lily, but Nina gets the part after she violently rebuffs the sexual advances of Leroy. The dancers' rivalry changes into a bizarre friendship as the show's debut approaches, and Nina becomes overtaken by dark revenge fantasies against Lily and starts to lose her grip on reality.
Cast
Mila Kunis was first approached to perform in
Black Swan in 2008. She and co-star Natalie Portman spent six months training and toning their bodies before filming began.
Aronofsky first discussed with Portman the possibility of a ballet film in 2000, and he found she was interested in playing a ballet dancer.
[3] Portman explained being part of
Black Swan, "I'm trying to find roles that demand more adulthood from me because you can get stuck in a very awful cute cycle as a woman in film, especially being such a small person."
[4] Portman also introduced Aronofsky to Kunis, whom he knew from the 2008 film
Forgetting Sarah Marshall.
[3] Kunis contrasted Lily with Nina, "My character is very loose... She's not as technically good as Natalie's character, but she has more passion, naturally. That's what [Nina] lacks."
[5] The female characters are directed in the
Swan Lake production by Thomas Leroy, played by Cassel. He compared his character to
George Balanchine, who co-founded
New York City Ballet and was "a control freak, a true artist using sexuality to direct his dancers".
[6]
Portman and Kunis started training six months before the start of filming in order to attain a body type and muscular tone more similar to those of professional dancers.
[7] Portman worked out for five hours a day, doing ballet, cross-training, and swimming. A few months closer to filming, she began choreography training.
[8] Kunis engaged in
cardio and
Pilates. Kunis said, "I did ballet as a kid like every other kid does ballet. You wear a tutu and you stand on stage and you look cute and twirl. But this is very different because you can't fake it. You can't just stay in there and like pretend you know what you're doing. Your whole body has to be structured differently."
[9] Georgina Parkinson, a
ballet mistress from the
American Ballet Theatre, coached the actors in ballet.
[10] For certain scenes,
American Ballet Theatre soloists Sarah Lane and
Maria Riccetto were "dance doubles" for Portman and Kunis respectively.
[11] Aronofsky said during filming about Portman's ballet performance, "She was able to pull it off. Except for the wide shots when she has to be
en pointe for a real long time, it's Natalie on screen. I haven't used her double a lot."
[7]
Production
Conception
The ballet Swan Lake's climax in the transition of the innocent white Swan Queen into the emotionally crippled black swan
Darren Aronofsky first became interested in ballet when his sister studied dance at the
High School of Performing Arts in New York City. The basic idea for the film started when he hired screenwriters to rework a screenplay called
The Understudy, which was about off-Broadway actors and explored the notion of being haunted by a double. Aronofsky said the screenplay had elements of the film
All About Eve,
Roman Polanski's film
The Tenant, and
Fyodor Dostoyevsky's novella
The Double. The director had also seen numerous productions of
Swan Lake, and he connected the duality of the White Swan and the Black Swan to his script.
[7] When researching for production of
Black Swan, he found ballet to be "a very insular world" whose dancers were "not impressed by movies". Regardless, the director found active and inactive dancers to share their experiences with him. He also stood backstage to see the
Bolshoi Ballet perform at the
Lincoln Center for the Performing Arts.
[3]
Aronofsky called
Black Swan a companion piece to his previous film
The Wrestler, recalling one of his early projects about a love affair between a wrestler and a ballerina. He eventually separated the wrestling and the ballet worlds as "too much for one movie". He compared the two films: "Wrestling some consider the lowest art—if they would even call it art—and ballet some people consider the highest art. But what was amazing to me was how similar the performers in both of these worlds are. They both make incredible use of their bodies to express themselves."
[3] About the psychological thriller nature of
Black Swan, actress Natalie Portman compared the film's tone to Polanski's 1968 film
Rosemary's Baby,
[17] while Aronofsky said Polanski's
Repulsion (1965) and
The Tenant (1976) were "big influences" on the final film.
[3] Actor Vincent Cassel also compared
Black Swan to Polanski's early works and additionally compared it to
David Cronenberg's early works.
[18]
Release
Black Swan had its world premiere as the opening film at the
67th Venice Film Festival on September 1, 2010. It received a standing ovation whose length
Variety said made it "one of the strongest Venice openers in recent memory".
[32] The festival's artistic director Marco Mueller had chosen
Black Swan over
The American (starring
George Clooney) for opening film, saying, "[It] was just a better fit... Clooney is a wonderful actor, and he will always be welcome in Venice. But it was as simple as that."
[33] Black Swan screened in competition and is the third consecutive film directed by Aronofsky to premiere at the festival, following
The Fountain and
The Wrestler.
[34] In addition,
Black Swan was one of seven films nominated for the
Queer Lion prize, to be awarded to the best film with "homosexual themes or queer interests",
[35] though
En el futuro (
In The Future) by Argentinian director Mauro Andrizzi won the prize.
[36]
Black Swan was presented in a sneak screening at the
Telluride Film Festival on September 5, 2010.
[37] It also had a Gala screening at the 35th
Toronto International Film Festival later in the month.
[38][39] In October 2010,
Black Swan was screened at the
New Orleans Film Festival,
[40] the
Austin Film Festival,
[41] and the
BFI London Film Festival.
[42] In November 2010, the film was screened at
American Film Institute's AFI Fest in Los Angeles and the
Denver Film Festival.
[43]
Black Swan will be released in the United Kingdom on February 11, 2011. According to
The Independent, the film is one of "the most highly anticipated" of late 2010. The newspaper compared it to the 1948 ballet film
The Red Shoes in having "a nightmarish quality ... of a dancer consumed by her desire to dance".
[44]
Box office
The film had a
limited release in select cities in North America on December 3, 2010 in 18 theaters. It took in $415,822—$23,101 per theater, its opening day.
[45] By the end of its opening weekend it grossed $1,443,809—$80,212 per theater. The per location average was the second highest for the opening weekend of 2010 behind
The King's Speech.
[46] The film has
Fox Searchlight Pictures highest per-theater average gross ever, and it ranks 21st on the all-time list.
[47] On its second weekend the film expanded to 90 theaters, and grossed $3.3 million, ranking it as the sixth film at the box-office.
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