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Tampilkan postingan dengan label mystery. Tampilkan semua postingan

Minggu, 26 Desember 2010

WINTER'S BONE ( 2010 )

Dated Released : 17 September 2010
Quality : BRRip
Info : imdb.com/title/tt1399683/
Lihat : Trailer
Starring : Jennifer Lawrence, John Hawkes, Garret D
Genre : Drama | Mystery | Thriller
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S Y N O P S I S

With an absent father and a withdrawn and depressed mother, 17 year-old Ree Dolly keeps her family together in a dirt poor rural area. She's taken aback however when the local Sheriff tells her that her father put up their house as collateral for his bail and unless he shows up for his trial in a week's time, they will lose it all. She knows her father is involved in the local drug trade and manufactures crystal meth but anywhere she goes the message is the same: stay out of it and stop poking your nose in other people's business. She refuses to listen, even after her father's brother, Teardrop, tells her he's probably been killed. She pushes on, putting her own life in danger, for the sake of her family until the truth, or enough of it, is revealed.

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Selasa, 21 Desember 2010

LET ME IN ( 2010 )

Tanggal Rilis :1 October 2010
Jenis Film :Drama | Fantasy | Horror | Mystery
Diperankan Oleh :Kodi Smit-McPhee, Chloe Moretz, Chloe Moretz


SYNOPSIS


Owen (Kodi Smit-McPhee) memang punya masalah dalam bersosialisasi. Karena selalu jadi korban bullying Owen lebih suka menyendiri ketimbang bermain bersama teman-teman sebayanya. Saat bertemu Abby (Chloë Moretz), Owen menemukan kesamaan pada diri gadis kecil ini. Tak perlu waktu lama buat keduanya untuk jadi teman meski ternyata Abby menyimpan satu rahasia yang tak diketahui Owen.
Seperti juga Owen, Abby juga tak punya teman. Malahan Abby jauh lebih ekstrem dibanding Owen. Abby hanya keluar setelah matahari tenggelam dan ia juga tak pernah mengenakan alas kaki, seolah dinginnya salju di telapak kaki tak membuat Abby resah. Satu-satunya orang yang dekat dengan Abby hanyalah ayah Abby yang juga tak suka bergaul dengan para tetangga di sana.
Ketika suatu hari ayah Abby menghilang, Owen berusaha untuk memberikan bantuan pada gadis kecil berusia 12 tahun ini. Meski Abby selalu menolak namun langkah Owen tak pernah surut. Saat semakin dekat, Owen baru sadar kalau Abby bukanlah gadis biasa. Ada yang aneh pada gadis kecil ini. Dan saat warga kota mulai menghilang satu per satu, Owen mulai sadar kalau Abby sebenarnya bukanlah manusia. Let Me In (2010), gadis ‘jadi-jadian’ yang penyendiri & misterius

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RESENSI


Let Me In is a 2010 American drama/horror film directed by Matt Reeves. It is based on the 2008 Swedish film Let the Right One In (Låt den rätte komma in), directed by Tomas Alfredson, and the novel of the same name by John Ajvide Lindqvist. It tells the story of a bullied 12-year-old boy who develops a friendship with a vampire child in a New Mexico town in the early 1980s.

Plot

In 1983 in Los Alamos, New Mexico, a police detective (Elias Koteas) enters the hospital room of a disfigured man (Richard Jenkins) and tells him that he will catch whoever else is in league with him, but is then called out to take a phone call. While he is on the phone, a scream is heard, and the detective finds the suspect has fallen out of the window to his death. The man had scribbled a note: "I'm sory Abby" (sic).
Flashback to two weeks earlier, Owen (Kodi Smit-McPhee) is a very unhappy and lonely 12-year-old child, who is neglected by his divorcing parents and continually harassed by cruel bullies. Owen harbors considerable anger against the school bullies; he often enacts imaginary fights where he stabs various targets representing the bullies. While peering at neighbors from his bedroom window with a telescope, he notices a girl (Chloë Moretz) and a middle-aged man who appears to be her "father" move in next door.
One evening, when Owen is alone in the courtyard, practicing one of his imaginary fights, his actions are observed by the girl who starts the first conversation with Owen. Her name is revealed to be Abby, who claims to be 12 years old. Abby tells Owen that they cannot be friends, but regardless Abby and Owen grow closer, seeing each other at night and communicating by Morse code through the walls of their apartments. At school the main bully, Kenny (Dylan Minnette) scars Owen with an antenna rod; when Abby finds out about this she tells him to defend himself and she will help him if needed.
Meanwhile, Abby's "father" goes out nightly to kill local residents to acquire blood for the vampiric Abby. During his first murder he accidentally spills the blood. A furious Abby feeds off and kills a jogger who lives in the same neighborhood; the father dumps the body in a lake so that Abby is not incriminated. Abby continues developing her relationship with Owen and the father asks Abby to stop seeing Owen, but she does not.
One night, the father hides in a high school student’s car, who ends up bringing a passenger. While the driver stops at a gas station, the father kills the passenger and gets in a car accident. Trapped, the father douses his face with acid so that his connection to Abby will not be discovered. The father is taken to the hospital; when Abby hears this on the news, she climbs up outside his window. Abby drinks his blood after the father silently implores her to do so, and he falls out to his death.
Abby goes to Owen's window while he is asleep and asks him if she can come in. Owen allows her into his room, and he asks her to be his girlfriend, which she grudgingly accepts. The detective gradually learns of the protector's connection to Abby. The next day on a field trip for school, Owen stands up to Kenny and hits him with a pole, splitting his ear. That night, when Owen tells Abby, she approvingly kisses him on the cheek. He then takes her to an abandoned area of the complex where he cuts his finger to make a blood pact with her. Abby is drawn to the blood falling to the ground; she licks it up and Owen sees her vampiric face, but instead of attacking Owen, Abby runs away and attacks Virginia (Sasha Barrese), a woman in the complex park, but is chased off by her boyfriend, Larry (Dylan Kenin).
Owen becomes afraid and calls to his estranged father, who ends the phone call quickly. Owen then proceeds to Abby's apartment. She tells him she needs blood to live. As Owen looks through Abby's belongings, it becomes clear from old photos that the middle-aged man who protected her was not her father, but that many years ago, he was a boy she knew. Owen becomes frightened and leaves Abby's apartment. At the hospital, the police officer learns from Larry that Abby attacked Virginia. A few seconds later, a vampiric Virginia begins to feed on the blood in her arm from her IV. When a nurse opens the blinds to the daylight, she bursts into flames, setting fire to the nurse and the hospital room.
Abby visits one night when Owen's mother (Cara Buono) is away. Owen opens the door for her and she tells him he needs to invite her in. He asks why, so she enters without an invitation, which causes her to bleed heavily until he verbally acquiesces. Abby confidently tells Owen that she knew he would not let her die. Abby showers and Owen offers her one of his mother`s dresses, but she leaves when his mother returns. The next morning, the detective heads to Abby's apartment and breaks in. He finds Abby asleep in the bathroom and tries to shine the daylight to see her, partially burning Abby, but Owen distracts him. Abby kills the detective and leaves that night after her identity is discovered. A taxi takes Abby to her new destination, as Owen watches from the window and cries.
During gym class, Kenny, his older brother Jimmy, and friends start a fire outside to distract the teacher (Ritchie Coster) and clear out the swimming pool. Jimmy tells Owen that if he can survive underwater for three minutes, then he will cut Owen's cheek; if he cannot he will poke an eye out. Owen is held underwater by Jimmy and struggles to hold his breath. He is saved by Abby, who has returned to help him as she promised and dismembers the four bullies. Abby and Owen exit as snow falls from a broken window into the bloodstained pool.
The film concludes with Owen travelling on a train, with Abby beside him in a box to avoid the sunlight. Inside, Abby taps the word "kiss" to Owen in Morse code, which he taps back.

Cast

In July 2009, audition tapes were leaked to the Internet, showing Chloë Moretz, Mary Mouser, and Ariel Winter auditioning for the role of the vampire, Abby.[9] Smit-McPhee, in an interview with The Herald Sun, hinted that he may have landed the role as Owen.[10] The casting of Moretz and Smit-McPhee in the leading roles was confirmed on October 1, 2009, along with the addition of Richard Jenkins as Abby's adult companion.[11] In a press release, director Matt Reeves described Smit-McPhee, Moretz and Jenkins as his "absolute dream cast", and added that he "couldn't be more excited to be working with them."[12] Both Smit-McPhee and Moretz were cast before the release of The Road or Kick-Ass, and directors John Hillcoat and Matthew Vaughn respectively each praised the young actors and recommended them to Reeves.

Release

It was announced on August 17, 2010 that the film will have its world premiere at Toronto International Film Festival on September 13, 2010,[31] and its U.S. premiere on the opening night of Fantastic Fest on September 23, 2010.[32] The film was released on October 1, 2010 in the United States.[33] Overture Films released the promo version with some specials in small plastic evidence bags.


Box office

The film opened at #8 on its debut weekend in the United States and Canada, with an estimated $5,300,000 in 2,020 theaters.[47]
As of November 30, Let Me In grossed an estimated $12.1 million in the United States and Canada.[48] The film has grossed over $20 million worldwide.[5]



Let Me In
A girl in white bedclothes curled up in a foetal position, upside down, against a red background fading to black.
Theatrical release poster
Directed by Matt Reeves
Produced by Simon Oakes
Guy East
Nigel Sinclair

Donna Gigliotti

John Nordling
Carl Molinder
Screenplay by Matt Reeves
Story by John Ajvide Lindqvist (Novel/screenplay)
Starring Kodi Smit-McPhee
Chloë Grace Moretz

Elias Koteas

Richard Jenkins
Music by Michael Giacchino[1]
Cinematography Greig Fraser
Editing by Stan Salfas
Studio EFTI
Hammer Films

Exclusive Media Group[2]
Distributed by Overture Films/Relativity Media (US)
Icon Film Distribution
(UK)
Release date(s) October 1, 2010 (United States)
November 5, 2010 (United Kingdom)[3]
 (2010-10-01) (2010-11-05)
Running time 116 minutes
Country United States
United Kingdom[4]
Language English
Budget $20 million[5][6]
Gross revenue $21,743,490
( SUMBER : wikipedia ) 


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TRAILER FILM LET ME IN :

Senin, 20 Desember 2010

ALTITUDE ( 2010 )

Dated Released : 26 Oktober 2010
Quality : BRRip
Info : imdb.com/title/tt1407049
Lihat : Trailer
Starring : Jessica Lowndes, Julianna Guill, Ryan Donowho
Genre : Horror | Mystery | Sci-Fi | Thriller
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RESENSI

Altitude is a Canadian Lovecraftian horror direct-to-video film directed by Canadian comic book writer and artist Kaare Andrews. Anchor Bay Entertainment is set to distribute the film in North America, U.K., Australia, and New Zealand. Altitude was filmed in part in Langley, British Columbia. The trailer for Altitude premiered at the 2010 San Diego Comic Con.

The movie starts off with a scene of a family on a small plane talking to the pilot (later announced as Sara's mother.)The little boy in the back seat with his own mother was extremely nervous. when he started hyperventilating, the pilot, his mother, and father look the direction he's looking and see an out of control plane which hits them and they go down. Sara, (Jessica Lowndes), who is now older, received her pilot's license and is planning on flying her and her friends to a concert instead of driving there like she told her father, a colonel who worries about her flying thinking the same thing will happen to her like it did to her mother. Sara is looking a photos of her late mother and her passengers (showing the little boy of the family in the first scene)on her last flight before the accident resulting her death.
Sara meets her two friends, Sal (Jake Weary)and Mel (Julianna Guill), who are shown to be dating, at the airport. Sara's cousin Cory (Ryan Donowho)arrives moments before Sara does and talks with Mel showing he has feelings for her. Sara has invited the guy she has been dating Bruce Parker (Landon Liboiron). When he arrives, he seems nervous and unwilling to get on the plane, but he does. When they take flight, Bruce is shown as extremely nervous and worried while everyone else is calm, and excited. It is shown that a nail on the tail of the plane is coming loose. Sara kiddingly lets Bruce fly the plane when Sal finds out Bruce brought the comic book Sara got him as a gift and demands for him to hand it over. Sara says his hands are tied and puts them on the wheel. They hit some turbulence and Bruce looses control and pulls the wheel back hard which causes them to fly upward. The loose nail has fallen off and jammed something on the tail. Meanwhile, Sara tries to gain control of the plane and Cory gives Bruce his comic book back but after Sal ripped out a page to taunt him.
Later, they fly into a dark storm and looses signal so they are unable to contact anyone for help. Sara informs everyone that the elevator in the tail is jammed so they will continue to fly up. without control of the plane, it wouldn't be long before they run out of air or crash into a mountain. Sara sees that the fuel tank is low and they'll only have less than an hour to figure things out. Bruce has a panic attack but Sal, being a wrestler, puts him to sleep from a choke hold. they tie him up and continue to think. Sara says the only way is to have someone go to the tail of the plane and unjam it manually. Mel gets a headache due to lack of air because of their altitude. Cory says he'll go out onto the tail because he's been a free climber for years. Everyone is reluctant for him to go except Sal. Cory brought his climbing gear so he takes out his rope and tells Sal to tie it to something. Cory questions his knot tying and Sal gets frustrated and wraps the rope around himself. Before Cory jumps out of the plane, Mel kisses him and he tells her he'll be fine as long as she keeps him right. with some obstacles, he makes it to the tail and unjams it. on his way back, Sal tries hard to pull Cory back and tells Mel to put her camera away and help. just as that happens,you see Bruce twitching as if he was having a bad dream and Sal sees the horrifying thing he saw earlier when they were getting rid of any unneeded weight. He looses control of the rope and is pulled out of the plane. He tries to get back in while the other end of the rope is tied to a handle on the inside of the plane. He takes out his pocket knife and begins to cut the rope. Cory has flown away after Sal gets back in. Everyone is in shock especially Sara. She begins to cry while Sal tries to tell her what he saw. Mel cries over the rope which has been cut. Bruce wakes up and sees that he's tied up and asks what happened and where Cory was. Mel yells at Sal and says he killed him because the rope didn't break, but it was cut. Sal yells at her about her "boyfriend" and for her accusing him of killing someone. Bruce asks what happened to him and Sara tells him he fixed the tail and Sal said something grabbed him. Sal said there was a monster out there. Bruce asks when he'll be untied and Sara responds saying when they can trust him again. He says he can be trusted but Sara says that he completely lost if and he lied to her about his parents' death so she couldn't trust him. She tells Mel to watch out for anything while she goes in the back to talk with Bruce. He tells her about his parents' death saying that he was in the plane when her mother died. We now know that he was the little boy and the passengers were his parents. He tells her that "they pulled me out of that lake with half my bones broken." Sara asks him if he was the Taylor's kid and he says yes. Sal says he thought his last name was Parker which Bruce says is his foster parents' last name.
She realizes he knew her before they began dating and he says he didn't want that to affect things between them. Sara lashes out at him saying things wouldn't have lasted between them and him telling a sick fantasy about knowing her parents. He starts to scream about her mother killing his parents and destroying his life. She doesn't believe it and he says he "figured it out". Sara asks what he figured what out and he says that they were meant to be together. She yells at him for being crazy and he says that he loves her. she tells him not to say that and leaves to find help on the radio. hearing nothing but static, she continues to call. she hears this noise and Bruce tells her to let them hear it and Sal recognizes it as the creature who pulled Cory away. Sara says it's impossible but Mel begins to believe him. Sal says that he knows that Sara's been wanting to ask which is where the ground his because they've been going downward for a while now. Then Mel starts thinking that Sara's father set this up as an experiment to see how people react under stress. Sara says that can't be true because his father doesn't even know about them flying, let alone her having a pilot's license. Right after that conversation, you see them crash into the creature's open mouth only they don't know what it was.
Mel begins to cry about their situation and suddenly faints. Sal tries to wake her up but says she doesn't have a pulse saying she OD-ed on her motion sickness pills. Bruce escapes from the rope and gives Mel CPR. She's revived and Sal comforts her saying he loves her and he didn't mean everything he said. Meanwhile, Bruce picks up the page that Sal ripped from his comic book and sees tentacles grabbing a blonde woman. He sets the page down and suddenly, a large tentacle reaches in and grabs Mel. Bruce grabs the comic book and begins to flip through the pages discovering something. Sal freaks out and threatens to kill Bruce because he "caused her to die". he has him outside the door but Sara runs over to stop him. When she has Bruce out of Sal's grasp, Sal falls out of the door but Sara reaches for him. He tells her not to let go and she said she won't but he slipped away. After mourning her friends for a while, she calms down and says it's all her fault, that she's the pilot and she's responsible. Bruce tells her she's not, it was him. She's confused and he tells her he's causing all this to happen and shows her the comic book which has event that really happened to them like the storm coming out of nowhere, the altimeter going crazy, and a girl accusing someone of cutting the rope. He realizes that it happens when he gets really scared. More things start to happen like the creature attacking the plane. Sara tells him to prove that he was really causing it and to make him stop. He tries but things get worse. She kisses him and everything calms down. The storm is gone and she could reach someone on the radio. He realizes that she didn't mean that kiss and everything goes wrong again. She tells him to think of something peaceful but he says it's not that simple and he can't control it. Sara is grabbed by the monster but he hold onto her. she tells him to think about his parents, that he can be with them again if he imagined them. the monster grabs a hold of Sara and he screams out for her. Soon, the monster disappears and she falls back into the plane. It's shown that Sara and Bruce are flying out of the storm and they're flying toward another plane going their direction. They see it's the plane their parents were on and the young Bruce. They grab control of the wheel and fly over the other plane instead of right into it like before. She tells him if he's going to do his thing, he should do it right now. He responds "it's already done." and you see them holding hands while looking out beyond them. You see back in the past after Sara's mother and Bruce and his family land, the young Sara and her father run to greet her mother. She says that "everybody gets one near miss, right?" Bruce's mom asks "do you think they made it?" which Sara's mother replies "i hope so." Young Sara and young Bruce introduce each other and they look out into the sky. At the end, the screen shot is zoomed in on them holding hands.

Cast

Release

Altitude is to be released on DVD and Blu-Ray on 26 October, 2010.[10][11] Alliance Films is to release Altitude in Canada. The film has been screened also at the 28th Turin Film Festival (from Nov. 26th to Dec 4th).

Altitude

Teaser poster
Directed by Kaare Andrews
Produced by Ian Birkett
Written by Paul A. Birkett
Starring Jessica Lowndes
Julianna Guill
Ryan Donowho
Landon Liboiron
Jake Weary
Mike Dopud
Music by Jeff Tymoschuk
Editing by Chris Bizzocchi
Release date(s) October 26, 2010 (2010-10-26)[1]
Country Canada
Language English
 ( sumber : cinema3satu )

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TRAILER FILM ALTITUDE ( 2010 ) :



Sabtu, 18 Desember 2010

SLEEPY HOLLOW (1999)

Tanggal Rilis :19 November 1999 (Amerika Serikat)
Jenis Film : Fantasy | Mystery | Thriller
Diperankan Oleh : Johnny Depp, Christina Ricci dan Miranda Richardson

Ringkasan Cerita FILM SLEEPY HOLLOW :


Kisah horor klasik sering mengambil dari cerita rakyat atau legenda seperti kisah hantu penunggang kuda tanpa kepala. Legenda itulah yang menjadi basis dari film horor klasik karya penulis Irving Washington yang berjudul “Sleepy Hollow”.
Kisahnya dimulai pada tokoh detektif polisi muda di New York pada tahun 1799, yaitu Ichabod Crane (Johnny Depp). Polisi muda itu lebih suka menggunakan pendekatan ilmu pengetahuan untuk membuktikan kejahatan daripada melakukan penyiksaan demi mendapat pengakuan dari tertuduh seperti yang biasa dilakukan sesama polisi pada zaman itu. Keyakinan dan kegigihan Crane untuk menggunakan ilmu pengetahuan forensik itu membuat para penegak hukum tidak suka padanya.
Seorang hakim New York yang brengsek sampai kehabisan kesabaran menghadapi Crane sehingga menyuruh polisi idealis itu untuk menyelidiki sederet pembunuhan aneh di daerah pedalaman Sleepy Hollow. Kepala para korban pembunuhan aneh itu dipotong dan dibawa pergi pembunuhnya sehingga para warga Sleepy Hollow yang hampir seluruhnya merupakan keturunan Belanda hanya menemukan para jasad korban tanpa kepala.
Teror kejahatan itu dipercayai oleh penduduk desa itu dilakukan oleh hantu penunggang kuda tanpa kepala, “Headless Horseman” yang merupakan legenda daerah itu. Kabarnya hantu itu membalas dendam atas pembunuhannya beberapa tahun lalu. Tentu saja Crane yang merasa sebagai orang rasionalis tidak percaya pada keyakinan para warga desa Sleepy Hollow itu.
Sayangnya kedatangan Crane disambut dingin oleh para warga Sleepy Hollow termasuk warga kelas elit seperti hakim ataupun Baltus Van Tassel, tuan tanah terbesar wilayah itu. Untunglah ada segelintir orang bersedia membantunya karena ingin teror itu berakhir seperti Katrina Van Tassel (Christina Ricci).
Crane dan Katrina saling jatuh cinta, namun membuat seorang pria muda, Brom Van Brunt (Casper Van Dien) yang mencintai Katrina, cemburu dan benci kepada Crane. Mampukah Crane menemukan pembunuh yang suka memotong dan membawa kepala korbannya? Mungkinkah memang ada hantu penunggang kuda tanpa kepala di Sleepy Hollow?
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RESENSI :

Sleepy Hollow is a 1999 American period horror film directed by Tim Burton. Based on the Washington Irving story The Legend of Sleepy Hollow, the film stars Johnny Depp, Christina Ricci, Miranda Richardson, Marc Pickering, Michael Gambon, Jeffrey Jones, Casper Van Dien, Ian McDiarmid, Michael Gough, and Christopher Walken. The plot follows police constable Ichabod Crane (Depp) sent from New York City to investigate a series of murders in the village Sleepy Hollow by a mysterious Headless Horseman.
Development for Sleepy Hollow began in 1993 at Paramount Pictures with Kevin Yagher originally set to direct Andrew Kevin Walker's script as a low-budget slasher film. Disagreements with Paramount resulted in Yagher being demoted to prosthetic makeup designer, and Burton was hired to direct in June 1998. Filming took place from November 1998 to May 1999, and Sleepy Hollow was released to generally favorable reviews from critics, and grossed approximately $207 million worldwide. Production designer Rick Heinrichs and set decorator Peter Young won the Academy Award for Best Art Direction.

Plot

In 1799, New York City police constable Ichabod Crane is dispatched by his superiors to the upstate hamlet of Sleepy Hollow, New York, to investigate a series of brutal slayings in which the victims have been found decapitated. A frequent user of new, though so far unproven investigative techniques such as finger-printing and autopsies, Crane arrives in Sleepy Hollow armed with his bag of scientific tools only to be informed by the town's elders that the murderer is not of flesh and blood, rather a headless supernatural warrior from beyond the grave who rides at night on a massive black steed.
Crane ignores the supernatural reports and begins his own investigation, until he encounters the Headless Horseman. Boarding a room at the home of the town's richest family, the Van Tassels, Crane develops an attraction to their daughter, the mysterious Katrina, even as he's plagued by nightmares of his mother's horrific torture when he was a child. Delving further into the mystery with the aid of the orphaned Young Masbeth, whose father was a victim of the Horseman, Crane discovers within the Western Woods both the Horseman's entry point between the both the natural and supernatural world, the gnarled Tree of the Dead, and his grave.
He finds the Horseman's skull is missing, though the murders continue until Crane uncovers a murky plot revolving around revenge and land rights with the Horseman controlled by Katrina's stepmother, Lady Van Tassel, who sends the killer after her. Following a fight in the local windmill and a stagecoach chase through the woods, Crane eventually thwarts Lady Van Tassel by returning the skull to the Horseman, who regains his head and heads back to Hell along with her. His job in Sleepy Hollow over, Crane, Katrina and Young Masbeth return to New York, in time for the new century.

Cast

  • Johnny Depp as Ichabod Crane: His belief in improved methods of justice, new investigate techniques and scientific procedures is resented by his superiors, who dispatch him north to the Hudson Valley and the small town of Sleepy Hollow.
  • Christina Ricci as Katrina Van Tassel: Ichabod's love interest and only heir to one of the neighborhood's richest farmers.
  • Miranda Richardson as Lady Van Tassel / Crone Sister: Wife of Baltus and stepmother of Katrina, the true main villain of the film, she is the one controlling the horseman as she has his head, which he is looking for; she dies when the Horseman takes her back to hell with him.
  • Marc Pickering as Young Masbath: An orphan who looks towards Ichabod as a father figure after his own father is murdered by the Horseman. In the act, he helps him investigate the murders of the Headless Horseman alongside Katrina.
  • Sir Michael Gambon as Baltus Van Tassel: After Peter Van Garret is murdered, he is placed as the leader of the city. He dies when the horseman drives a fence post through his body. Initially, he is inside a church - which the Horseman cannot enter - so the Horseman simply pulls him out of the church window to behead him.
  • Jeffrey Jones as Reverend Steenwyck: The reverend of the village is shot by Baltus Van Tassel after he kills Lancaster with the wooden cross.
  • Casper Van Dien as Brom Van Brunt: A strong man who is somewhat romantically involved with Katrina. He's hostile to Ichabod upon meeting him, and later ends up dying at the hands of the horseman by being cut in half through the waist while attempting to stop him.
  • Ian McDiarmid as Doctor Lancaster: The only doctor and surgeon in the village and murdered by Steenwyck in the church when he is struck on the head with a cross to prevent him revealing the plot. He was having an affair with servant girl Sarah (Jessica Oyelowo) who was murdered by Lady van Tassel.
  • Michael Gough as Notary Hardenbrook: The local banker and possibly the oldest citizen in the village, he hangs himself.
  • Christopher Walken as The Headless Horseman: A brutal and sadistic Hessian mercenary sent to America during the American Revolutionary War. He is killed though his spirit lives on through The Headless Horseman (portrayed by Ray Park and stuntman Rob Inch); in this form he is seemingly indestructible since there are no ill effects after getting shot, stabbed, and trapped in a burning mill, although he cannot walk on consecrated ground such as the ground around a church.
  • Richard Griffiths as Magistrate Philipse: The town's magistrate who is the sixth victim of the Headless Horseman.
Burton and Gough had previously worked together on Batman and Batman Returns, with Gough portraying Alfred Pennyworth.
Christopher Lee, Martin Landau (previously won an Academy Award on Tim Burton's Ed Wood) and Burton's then fiancée Lisa Marie are all involved in cameos. Lee is credited as the Burgomaster who sends Ichabod to investigate the murders at Sleepy Hollow. Landau portrays Peter Van Garrett with no dialogue; and is murdered by The Headless Horseman in the opening scene. Marie is featured as "Lady Crane," Ichabod's mother in flashbacks who was involved in witchcraft and later painfully murdered by his strict religious father.

Production

Development

In 1993, Kevin Yagher, a make-up effects designer who had turned to directing with Tales from the Crypt, had the notion to adapt Washington Irving's short story The Legend of Sleepy Hollow into a feature film. Through his agent, Yagher was introduced to Andrew Kevin Walker; they spent a few months working on a film treatment[2] that transformed Ichabod Crane as a schoolmaster from Connecticut to a banished New York City detective.[3] Yagher and Walker subsequently pitched Sleepy Hollow to various studios and production companies, eventually securing a deal with producer Scott Rudin,[2] who had been impressed with Walker's unproduced spec script for Seven.[1] Rudin optioned the project to Paramount Pictures in a deal that had Yagher set to direct, with Walker scripting; the pair would share story credit.[2] Following the completion of Hellraiser: Bloodline, Yahger had planned Sleepy Hollow as a low-budget production - "a pretentious slasher film with a spectacular murder every five minutes or so." Paramount disagreed on the concept and demoted Yagher's involvement to prosthetic makeup designer.[4] "They never really saw it as a commercial movie," producer Adam Schroeder noted. "The studio thinks "old literary classic" and they think The Crucible. We started developing it before horror movies came back."[5]
Paramount CEO Sherry Lansing revived studio interest in 1998.[1] Schroeder, who shepherded Tim Burton's Edward Scissorhands as a studio executive at 20th Century Fox in 1990, suggested that Burton direct the film.[6] Francis Ford Coppola's minimal production duties came from American Zoetrope; Burton only became aware of Coppola's involvement during the editing process when he was sent a copy of Sleepy Hollow's trailer and saw Coppola's name on it.[6] Burton, coming off the troubled production of Superman Lives, was hired to direct in June 1998.[7] "I had never really done something that was more of a horror film," he explained, "and it's funny, because those are the kind of movies that I like probably more than any other genre."[2] His interest in directing a horror film influenced by his love for Hammer Film Productions and Black Sunday - particularly the supernatural feel they evoked as a result of being filmed primarily on sound stages.[5] As a result, Sleepy Hollow is a homage to various Hammer Film Productions, including Dr. Jekyll and Sister Hyde,[8] and other films such as Frankenstein, Bride of Frankenstein, various Roger Corman horror films,[9] Jason and the Argonauts, and Scream Blacula Scream.[1] The image of the Headless Horseman had fascinated Burton during his apprenticeship as a Disney animator at Cal Arts in the early 1980s.[9] "One of my teachers had worked on the Disney version as one of the layout artists on the chase, and he brought in some layouts from it, so that was exciting. It was one of the things that maybe shaped what I like to do."[2] Burton worked with Walker on rewrites, but Rudin suggested that Tom Stoppard rewrite the script[10] to add to the comical aspects of Ichabod's bumbling mannerisms, and emphasize the character's romance with Katrina. His work went uncredited through the WGA screenwriting credit system.[1]
While Johnny Depp was Burton's first choice for the role of Ichabod Crane, Paramount required him to consider Brad Pitt, Liam Neeson, and Daniel Day-Lewis.[5][11] Depp was cast in July 1998 for his third collaboration with Burton.[12] The actor wanted Ichabod to parallel Irving's description of the character in the short story. This included a long prosthetic snipe nose, huge ears, and elongated fingers. Paramount turned down his suggestions,[13] and after Depp read Tom Stoppard's rewrite of the script, he was inspired to take the character even further. "I always thought of Ichabod as a very delicate, fragile person who was maybe a little too in touch with his feminine side, like a frightened little girl," Depp explained.[1] He did not wish to portray the character as a typical action star would have, and instead took inspiration by Angela Lansbury's performance in Death on the Nile.[1] "It's good," Burton reasoned, "because I'm not the greatest action director in the world, and he's not the greatest action star."[6] Depp modeled Ichabod's detective personality from Basil Rathbone in the 1939 Sherlock Holmes film series. He also studied Roddy McDowall's acting for additional influence.[13] Burton added that "the idea was to try and find an elegance in action of the kind that Christopher Lee or Peter Cushing or Vincent Price had."[6] Christina Ricci, who worked with producer Scott Rudin on The Addams Family, was cast as Katrina Van Tassel.[5] Sleepy Hollow also reunited Burton with Jeffrey Jones (from Beetlejuice and Ed Wood) as Reverent Steenwyck, Christopher Walken (Max Schreck in Batman Returns) as the Hessian Horseman, Martin Landau (Ed Wood) in a cameo role, and Hammer veteran Michael Gough (Alfred in Burton's Batman films), whom Burton tempted out of retirement.[6] The Hammer influence was further confirmed by the casting of Christopher Lee in a small cameo.[14]

Filming

Supervised by Heinrichs, the town of Sleepy Hollow was constructed around a small duck pound. At a cost estimated at $1.3 million, and over a period of four months, 12 structures were built, several with detailed interiors as well as exteriors.[2]
The original intention had been to shoot Sleepy Hollow predominately on location with a $30 million budget.[15] Towns were scouted throughout Upstate New York along the Hudson Valley,[2] and the filmmakers decided on Tarrytown[7] for an October 1998 start date.[12] The Historic Hudson Valley organization assisted in scouting locations, which included the Philipsburg Manor House and forests in the Rockefeller State Park Preserve.[3] "They had a wonderful quality to them," production designer Rick Heinrichs reflected on the locations, "but it wasn't quite lending itself to the sort of expressionism that we were going for, which wanted to express the feeling of foreboding."[16] Disappointed, the filmmakers scouted locations in Sturbridge, Massachusetts, and considered using Dutch colonial villages and period town recreations in the Northeastern United States. When no suitable existing location could be found, coupled with a lack of readily available studio space in the New York area needed to house the production's large number of sets, producer Scott Rudin suggested England.[2]
Rudin believed England offered the level of craftsmanship in period detail, painting, and costuming that was suitable for the film's design.[17] Having directed Batman entirely in England, Burton agreed, and designers from Batman's art department were employed by Paramount for Sleepy Hollow.[6] As a result, principal photography was pushed back[18] to November 20, 1998 at Leavesden Film Studios, which had been recently vacated by Star Wars Episode I: The Phantom Menace.[15] The majority of filming took place at Leavesden, with studio other work at Shepperton Studios,[2] where the massive Tree of the Dead set was built using Stage H.[1] Production then moved to the Hambleden Estate at Lime Tree Valley for a month-long shoot in March, where the town of Sleepy Hollow was constructed.[2] "We came to England figuring we would find a perfect little town," producer Adam Schroeder recalled, "and then we had to build it anyway." Filming in England continued through April,[2] and a few last minute scenes were shot using a sound stage in Yonkers, New York the following May.[3][19]

Design

The Tree of the Dead, designed by Keith 
Responsible for the film's production design was Rick Heinrichs, who Burton intended to use on Superman Lives. While the production crew was always going to build a substantial number of sets, the decision was taken early on that to fulfill Burton's vision best would necessitate shooting Sleepy Hollow in a totally controlled environment at Leavesden Film Studios.[21] The production design was influenced by Burton's love for Hammer Film Productions and Black Sunday - particularly the supernatural feel they evoked as a result of being filmed primarily on sound stages. Heinrichs was also influenced by American colonial architecture, German Expressionism, Dr. Suess illustrations, and Hammer's Dracula Has Risen from the Grave.[5] One sound stage at Leavesden was dedicated to the "Forest to Field" set, for the scene in which the Headless Horseman races out of the woods and into a field. This stage was then transformed into, variously, a graveyard, a corn field, a field of harvested wheat, a churchyard, and a snowy battlefield. In addition, a small backlot area was devoted to a New York City street and waterfront tank.[15]

[edit] Cinematography

Burton was impressed by the cinematography in Great Expectations, and hired Emmanuel Lubezki as Sleepy Hollow's director of photography. Initially, Lubezki and Burton contemplated shooting the film in black and white and in old square Academy ratio. When that proved unfeasible, they opted for an almost monochromatic effect which would enhance the fantasy aspect.[6] Burton and Lubezki intentionally planned the over-dependency of smoke and soft lighting to accompany the film's sole wide-angle lens strategy. Lubezki also used Hammer horror[22] and Mexican lucha films from the 1960s, such as Santo Contra los Zombis and Santo vs. las Mujeres Vampiro.[5] Lighting effects increased the dynamic energy of the Headless Horseman, while the contrast of the film stock was increased in post-production to add to the monochromatic feel.[22]
Leavesden Studios, a converted airplane factory, presented problems because of its relatively low ceilings. This was less of an issue for The Phantom Menace, in which set height was generally achieved by digital means. "Our visual choices get channeled," Heinrichs elaborated, "so you end up with liabilities that you tend to exploit as virtues. When you've got a certain ceiling height, and you're dealing with painted backings, you need to push atmosphere and diffusion."[15] This was particularly the case in several exteriors that were built on sound stages. "We would mitigate the disadvantages by hiding lights with teasers and smoke."[15]

[edit] Visual effects

The majority of Sleepy Hollow's 150 visual effects shots were handled by Industrial Light & Magic (ILM),[23] while Kevin Yagher supervised the human and creature effects. Framestore also assisted on digital effects, and The Mill handled motion control photography.[24] In part a reaction to the computer-generated effects in Mars Attacks!, Burton adopted to use a limited amount of digital effects as possible.[6] Ray Park, who served as the Headless Horseman stunt double, wore a blue ski mask for the chroma key effect, digitally removed by ILM.[10] Burton and Heinrichs applied to Sleepy Hollow many of the techniques they had used in stop motion animation on Vincent - such as forced perspective sets.[21]
The windmill was a 60-foot-tall forced-perspective exterior (visible to highway travelers miles away), a base and rooftop set and a quarter-scale miniature. The interior of the mill, which was about 30-feet high and 25-feet wide, featured wooden gears equipped with mechanisms for grinding flour. A wider view of the windmill was rendered on a Leavesden soundstage set with a quarter-scale windmill, complete with rotating vanes, painted sky backdrop and special-effects fire. "It was scary for the actors who were having burning wood explode at them," Heinrichs recalled. "There were controls in place and people standing by with hoses, of course, but there's always a chance of something going wrong."[25] For the final shot of the burning mill exploding, the quarter-scale windmill and painted backdrop were erected against the outside wall of the "flight shed," a spacious hangar on the far side of Leavesden Studios. The hangar's interior walls were knocked down to create a 450-foot run, with a 40-foot width still allowing for coach and cameras. Heinrichs tailored the sets so cinematographer Emmanuel Lubezki could shoot from above without seeing the end of the stage.[25]
Actor Ian McDiarmid, who portrayed Dr. Lancaster, had just finished another Leavesden production with Star Wars Episode I: The Phantom Menace. He compared the aesthetics of the two films, stating that physical sets helped the actors get into a natural frame of mind. "Having come from the blue-screen world of Star Wars it was wonderful to see gigantic, beautifully made perspective sets and wonderful clothes, and also people recreating a world. It's like the way movies used to be done."[17]

Musical score

The film score was written and produced by Danny Elfman. Steve Bartek, who worked with Elfman as the lead guitarist for Oingo Boingo, Conrad Pope, and Mark McKenzie arranged the compositions for the orchestra.

 Release

To promote Sleepy Hollow, Paramount Pictures featured the film's trailer at San Diego Comic-Con International in August 1999.[26] The following October, the studio launched a website, which Variety described as being the "most ambitious online launch of a motion picture to date."[27] The site (sleepyhollowmovie.com) offered visitors live video chats with several of the filmmakers hosted by Yahoo! Movies and enabled them to send postcards, view photos, trailers and a six-minute behind-the-scenes featurette edited from a broadcast that aired on Entertainment Tonight. Extensive tours of 10 sets where offered, where visitors were able to roam around photographs, including the sets for the entire town of Sleepy Hollow, forest, church, graveyard and covered bridge. Arthur Cohen, president of worldwide marketing for Paramount, explained that the "Web-friendly" pre-release reports[27] from websites such as Ain't It Cool News and Dark Horizons[28][29] encouraged the studio to create the site.[27] In the weeks pre-dating the release of Sleepy Hollow, a toy line was marketed by McFarlane Toys.[30] Simon & Schuster also published The Art of Sleepy Hollow (ISBN 0671036572), which included the film's screenplay and an introduction by Tim Burton.[31] A novelization, also published by Simon & Schuster, was written by Peter Lerangis.[32]
Sleepy Hollow was released in the United States on November 19, 1999 in 3,069 theaters, grossing $30,060,467 in its opening weekend[33] at the #2 spot behind The World Is Not Enough.[34] Sleepy Hollow eventually earned $101,071,502 in domestic gross, and $105 million in foreign sales, coming to a worldwide total of $206,071,502.[33] David Walsh of the National Institute on Media and the Family criticized the film's financial success from the exaggeration of gore. "The real impact is not so much that violent images create violent behavior," Walsh explained, "but that they create an atmosphere of disrespect." Burton addressed the concerns as a matter of opinion. "Everyone has a different perception of things. When I was a kid," Burton continued, "I was probably more scared by seeing John Wayne or Barbra Streisand on the big screen than by seeing violence."[35]
Paramount Home Video first released Sleepy Hollow on DVD in the United States on May 23, 2000.[36] The HD DVD release came in July 2006,[37] The film was released on Blu-ray Disc in June 2008.[38]

( SUMBER : wikipedia )
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Directed by Tim Burton
Produced by Scott Rudin
Adam Schroeder
Francis Ford Coppola
Screenplay by Andrew Kevin Walker
Story by Kevin Yagher
Andrew Kevin Walker
Based on The Legend of Sleepy Hollow by Washington Irving
Starring Johnny Depp
Christina Ricci
Miranda Richardson
Marc Pickering
Michael Gambon
Jeffrey Jones
Casper Van Dien
Ian McDiarmid
Michael Gough
Christopher Walken
Music by Danny Elfman
Cinematography Emmanuel Lubezki
Editing by Chris Lebenzon
Joel Negron
Studio Paramount Pictures
Mandalay Pictures
American Zoetrope
Karol Film Productions
Tim Burton Productions
Distributed by Paramount Pictures
Release date(s) November 19, 1999 (1999-11-19)
Running time 105 minutes
Country United States
United Kingdom
Language English
Budget $70 million[1]
Gross revenue $207,068,340
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